July 27, 1982 (Day Nine), Part 1

Jun. 3rd, 2026 12:56 pm
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[personal profile] ahunter3
= July 27, 1982 (Day Nine) =



“Turn to your left and high-five your neighbor”, Irma tells us. Now turn to your right and do it again! Good morning, community!”

The hands I smack belong to Ronald and Valerie. “Go back to bed, Barbie”, Valerie tells Irma, not loudly enough for it to actually carry to her but sufficient for those of us nearby to hear. Jake makes an amused sound.

I’m not exactly sure why, but it feels like there’s been a subtle shift. It’s not quite that Valerie and Jake and Noelle and April have decided I’m bestfriend material, but more like they’ve inspected me and decided I’m all right. They’re more okay with me seeing that they’re not entirely in love with Elk Meadow and its programming and staff. I won’t use it at their expense to make a point to Barnes, and at the same time I’m no longer the symbol of opposition around here either. They know I won’t mock them for trying to get something out of being here.

I’m more comfortable around them too. They can roll their eyes at Gary Stevens and Dr. Barnes and Mark Raybourne, they aren’t creepy indoctrinated cult followers.

So I’m looser around them, a bit sillier. When I’m trying to describe an example of some kind of behavior or attitude, I’m more likely to act out a parody. Any of them may speak critically of me, say something dismissive or even downright contemptuous, but it’s at the same level of caustic familiarity with which they speak to each other, not real hostility. I’m not carefully picking my words as if they might be used against me later.

They still treat me as a nerdy bookish sort but they’re less critical of me using obscure words. I’m more inclined to giggle when they say something that hits me as funny, and I catch myself skipping down the hallway towards a cluster of them when I see them outside the cafeteria.



* * *





There’s someone sitting at the piano stool, which is unusual. It’s Emily. She hasn’t opened the wooden cover that goes over the keyboard and isn’t poised like she’s going to play, just sitting there. She sits very still in the piano alcove, leaning slightly forward, arms tight at her side. The overhead light is turned off, so she’s in the dim light from the corridor, the green and yellow mural colors on the wall faded to shadowed olive shades.

I approach slowly, walking quietly; when I’m within about four feet of her, I pause and wait for her to become aware of me. I see a slight lift of her head. “Hello”, I say.

“Do you want to play the piano? I’ll leave...”, she says dully.

“What’s wrong? If you don’t mind me asking...?” I wait quietly. She looks like she might have been crying. Not that she’s red-eyed as if she’s been bawling for half an hour, just a little smudgy and disheveled around the face.

Emily looks at me from the side for a couple seconds, then shifts on the piano bench to face me. “I miss my boys. My children. Do you have kids?”

“No.” Which means maybe she won’t want to talk to me about it, whatever it is. I wait again.

Emily sighs. “I just got promoted to Level One. Did you hear? Emily Sanders, that girl’s really pulling it together.” She pauses. “I’ve worked hard in here. I’ve really tried to listen? And do what’s expected, what they want, to show I’m serious about getting my life in order.” She speaks faster, more emphatically. “I’ve been Unit Leader for two months now. I’ve got Mark for individual. He promised me if I made Level One I could get a pass and go home and visit my kids. I’ve done everything they ask. Well, Dr. Barnes overruled Mark. He says I’m treating it like a trade, what he calls tit for tat, and says it doesn’t count if I only do what’s right because I expect a reward from Mark in return.”

“That’s twisted. They should keep their promises.”

Emily scowls. “It’s not like Dr. Barnes didn’t know about it. They all talk with each other, and nobody would tell us anything like that without running it past Dr. Barnes first. They dangled that in front of me just so they could pull it away and say I want special favors for making progress. They set me up.”

“Yeah, I’ve seen that they can be really manipulative. It’s not fair.”

Emily looks at me, long and slow. Then she says, “Don’t tell anyone. If they see I’m angry about it they’ll hold it against me. Thanks for listening. Hey, you better go out for recreational, okay? I don’t want to make you late.”

Having been dismissed, however gently, I leave her to the aloneness of her own space and go out the doors, although it’s actually a good ten minutes before I’m due out there.



* * *





Joanne comes around the corner. So far the only other residents are a couple of new admissions I don’t know yet — Kim and Javier. We’ve done mutual intros but otherwise we’re just shuffling back and forth waiting. “Oh...umm... listen, Derek”, Joanne fumbles as she gets closer. “I, umm, we... staff had a discussion”, she says, trailing off. She’s trying to hold on to her confident smile but it’s sliding, and her eyes skitter away from my face. “...it’s not a good idea for you to be outdoors without sufficient supervision. So I need you to go back inside.”

Seriously? They’re worried I’m going to scale the fence and run away? Or is it that I might ...disobey instructions and engage in unapproved forms of exercise?

These people really need to synchronize their messaging better. So much for ‘Derek has made good progress and has decided he likes it in this place’. I reach out for some low-hanging contempt and stare at Joanne without replying and whirl around and stalk back into the building.

Emily is still over by the piano but Mark and Jeremy are there too, Jeremy sitting next to her on the bench and Mark hovering, standing and holding on to the top of the piano.

They’re being circumspect about anything specific, but as I walk by, I overhear Jeremy saying, “Just play the game. Put this all behind you”, so I figure Emily decided she can trust them enough to tell them about it.

I feel like I’m getting some privileged insights. Perhaps more people on staff than I realized are less than fully enthusiastic about the things that happen in this place.

I would like to play the piano, actually, but I’ll come back later; meanwhile may as well hang out in the cafeteria area until psychodrama. I’m still not interacting as much as I should.

Jake and April are over at one of the tables, with an open bag of potato chips in front of them. I wave, get a return wave, and go to sit with them. “What’s going down?”, Jake greets.

“I’ve been demoted down to Level Five”, I tell him.

“Say what?”, April reacts. “Level Four is the lowest level they’ve got. There isn’t any Level Five.”

“They’re not calling it that, but I’ve got fewer privileges now than when I came in. They don’t want me to go outdoors any more.”

I recap what Joanne had told me. April and Jake proclaim this to be seriously fucked up.

—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.




Links to published reviews and comments are listed on my Home Page, for both published books.

———————

This DreamWidth blog is echoed on Substack and LiveJournal. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts
ahunter3: (Default)
[personal profile] ahunter3
I’m walking back towards my room when Valerie accosts me. “Hey, sissyboy. Do you play cards?”

“Some. Not poker, and not for money.”

“We aren’t betting. Just for fun. You know spades?”

“Decently well. I don’t know it as good as I know as hearts.”

“We need an extra person. We got me, Ronald and Jake, April and Joe. And it’s Joe’s last day.” She motions for me to follow.



“Hey hey, Derek! Have a sit down!”, Joe says, riffling the card deck. The classic red sketch of a bicycling angel beckons from the top card.

Hands are dealt. Bids are made. Tricks get taken.

After several games have been won and lost, I ask if they’d ever played Cutthroat Hearts or Oh Heck. Nobody’s heard of either.

“So tell us about them”, Ronald demands. “How are they different? How do you play?”

“Cutthroat hearts is where you shoot for low score. Every heart you take is a point. Queen of spades is thirteen all by herself. But the Jack of diamonds is minus ten, and you can also run hearts, if you get them all you take thirteen points off your total instead of adding a point for each heart.”

Jake says, “I know that one, I’ve played it, we called it ‘Shooting the Moon’. It’s not bad but I like Spades better.”

I nod, shuffle the deck, and deal out the starting cards.



* * *





I sit in my room with pen and paper, scribbling out edits to one of the chapters of The Amazon’s Brother. Ka-snap. I open the three-ring binder and put back the pages with the new notes. Close it again with a pop.

The Amazon’s Brother is really my first attempt to describe what it was like being me, growing up, going through puberty and adolescence, and on into early adulthood and finally coming out as...something different. Heterosexual sissy. And radical feminist. The second half of the book is my attempt to write contributions to feminist theory, integrating my experiences with the perspective that feminists understand and believe. They’re the visionaries and radicals of our time, my teachers and heroes, the people who gave me tools and viewing angles for discussing gender; and I want to contribute and belong. I want to be part of a shared identity, to be plural. For once in my life I want to join something.

And now I’ve had new thoughts and new analyses, prompted by my recent recollections of being at UNM that fall, when I was semi-accepted socially. I’ve been pondering the resultant questions about having a sense of belongingness and how being accepted can be a two-edged sword if the people who accept you don’t understand you. Hence my recent thoughts about needing to pull people closer and push them away at the same time.

I have The Amazon’s Brother here with me because I’m still working on it, but also because I always want to have it with me. I left a backup copy in my bedroom at my grandparents’ house, but I certainly didn’t want to leave the only copy of the book behind and risk something happening to it while I’m gone. I want it within reach.

And...did I take it with me the other day when I slipped out the unlocked door? Of course not.

I’ve thought at times that I might share The Amazon’s Brother with people here at Elk Meadow. That could still happen. Maybe.


—————


My first book, GenderQueer: A Story From a Different Closet, is published by Sunstone Press. It is available on Amazon and Barnes & Noble in paperback, hardback, and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.


My second book, That Guy in Our Women's Studies Class, has also now been published by Sunstone Press. It's a sequel to GenderQueer. It is available on Amazon and on Barnes & Noble in paperback and ebook, and as ebook only from Apple, Kobo, and directly from Sunstone Press themselves.




Links to published reviews and comments are listed on my Home Page, for both published books.

———————

This DreamWidth blog is echoed on Substack and LiveJournal. Please friend/link me from any of those environments on which you have an account.

————————


Index of all Blog Posts

About Me

May. 21st, 2026 05:44 pm
saghanistone: (Default)
[personal profile] saghanistone
Hello everyone! Welcome to my blog 𓅪

Here, you can find a brief introduction to me and my goals for this blog. As always, if you have any questions or would like to engage with my content in any way, I encourage communication, comments, and conversations. :)
 

Me
  • I am currently an undergraduate student formally studying social work (along with sociology and critical disability studies). I love school, I love learning. I plan to pursue my master's degree in 2027.
  • I LOVE READING! Reading is my favorite hobby, so prepare to see many posts regarding books, literature, and collecting on my blog! My favorite genres include literary fiction, translated fiction, historical, dystopian, political/social justice nonfiction, and memoir. My favorite topics to read typically involve slice-of-life, grief, activism, existentialism, humanism, and radical acceptance. I love translator notes and linguistics. I love reading broadly.
    • Favorite fiction books at the time of writing: Migrations by Charlotte McConaghy, The God of Endings by Jacqueline Holland, The Unworthy by Agustina Bazterrica (translated by Sarah Moses from Spanish), The Rabbit Hutch by Tess Gunty, Love in the Time of Cholera by Gabriel García Márquez, Children of the New World by Alexander Weinstein
    • Favorite nonfiction books at the time of writing: All About Love: New Visions by bell hooks, Solidarity with Children: An Essay Against Adult Supremacy by Madeline Lane-McKinley, The Serviceberry: Abundance and Reciprocity in the Natural World by Robin Wall Kimmerer
    • Authors of interest at the time of writing: Charlotte McConaghy, bell hooks, Audre Lorde, Simone de Beauvoir, Andrea Dworkin, Sophie Lewis, Jhumpa Lahiri, Arundhati Roy, Zadie Smith, Isabel Allende, Yiyun Li, R. F. Kuang, Leah Lakshmi Piepzna-Samarasinha, Angela Y. Davis, Chimamanda Ngozi Adichie, Sara Nović, and more!
  • I am forming my research interests and professional perspectives, and I plan to use this blog to categorize and explore different areas of research I may want to engage in. Much of this is inspired by the literature and research I tend to read and may post about as well. I expect that my research topics will center children's liberation, disability justice, immigration justice, global justice, critical theory, anti-war, anti-capitalism, and theories of love.
  • I love music, and I am trying to branch out into different forms of media such as films, plays, and musicals. I plan to use my blog as a casual-critical review space!
    • Favorite music artists at the time of writing: Ariana Grande, Billie Eilish, Remi Wolf, The 1975, Kendrick Lamar (honorable mentions: Olivia Rodrigo, SZA, Post Malone, PnB Rock)
    • Favorite movies at the time of writing: The Iron Claw, The Grand Budapest Hotel, The Darjeeling Limited, Fences, Oppenheimer, Wicked & Wicked: For Good
My Blog
  • My blog, saghanistone, is named after Charlotte McConaghy's novel Migrations. In this dystopian novel, the main character Franny Stone tracks the last migration of the artic tern on a boat named The Saghani: hence, saghanistone. Saghani is also an Inuit word for raven. Migrations is my favorite book of all-time, and I currently have two bird tattoos in its honor!
    • The current profile picture for my blog at the time of writing is from the cover of Robin Wall Kimmerer's essay The Serviceberry: Abundance and Reciprocity in the Natural World. I do love birds :) 
  • My plan for this blog is to utilize the tags feature to organize various posts, ranging from: media reviews (mostly books, but occasionally music and film), research interests and projects, and personal posts. I want to remain experimental and open, and I would like to explore creative writing and poetry as well.


Thank you for reading! Enjoy, engage :)

𝓟𝓮𝓪𝓬𝓮 𓇢𓆸
♡✧˚⋆。♡
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